
When money is given to a homeless person, or a sign is purchased from them, it is an act of faith. There is no assurance where the money might go to their children for drugs?
This installation asks a similar question about the relationships within the art world. Is the artist's work valid? Is the gallerist displaying work of sincerity and value? The homeless signs had to be purchased with the reverse drawings and interventions unseen until the show was uninstalled.
ACTS OF FAITH
We all perform them.
The act may be as simple as driving through a green light, and assuming that other drivers will respect their red light and remain at a stop.
Sometimes the act is more complicated and is based on a shared or personal belief system:
One will go to heaven if one leads a righteous and prayerful life. Shaking salt over one's shoulder after spilling it will avoid bad luck.
And sometimes the act of faith is based on a hope that a charitable deed will be the origination of improving someone else's lot in life. Like the act of charitable giving on a street corner, perhaps to someone who appears to be homeless.
This installation is based on the presumptions and the accompanying risks that we assume by this form of anonymous giving money to strangers in an unstructured setting.
In one of the installed pieces, the wall collage, the individual components are primarily homeless signs that I and others have purchased on the streets. Each sign will be offered for the same sale price.
A portion of each sale given to a specific organization which supports charitable giving to the homeless. On the back of each of the signs will be a drawing or painting. These works cannot be seen until after the installation has ended and the collage is removed from the wall.
Another act of faith. At a second level, with faith based on the integrity of the artist and the gallery. This time with the anticipation that the art will have validity, in the same way the proceeds to the charitable organization have a valid destination.
ACTS OF FAITH
LUXE Gallery, New York/New York 2004
